In the next scene, we see the Antichrist exiting the mouth of the cave and entering an area filled with the Illuminati light. Meanwhile, the cave’s ceiling is collapsing. This means that in the view of the Freemasons and other followers of the devil, the Illuminati light melts the ice and destroys the frozen state of the end of all time.
The other important point in this scene is that there are two pillars of ice in the cave’s entry, which have spiraled up to its ceiling. These two pillars resemble the helical DNA and symbolically indicate that the time of the Antichrist’s rise and rebirth is close after his awakening from his thousand years of slumber.
In the next part of the animation, there are two sequential scenes that although may seem different, they have a very close connection in terms of the meaning they convey. For this reason, we shall analyze them in conjunction.
In the beginning of these two sequential scenes, we see the blue child or “L’enfant Bleu” character about whom we shall speak more in the next scenes, is still dancing around the fire while wearing a mask, which resembles the ancient Indian goddess Kali.
In the next scene, we face a different atmosphere. In this space there are many neat and smartly dressed men wearing suits and holding a briefcase in their hands as they are standing in various orderly rows. In this instance, suddenly the Antichrist rises above the group of men standing in rows while yawning, and with a flick of his hands destroys them all.
We realize that Kali is the goddess of destruction. Her indication in this part of the animation is in line with the Antichrist’s destructive characteristics in Apocalypse. In a way that in the next scene, the Antichrist’s presence causes the destruction of the current world order and establishment of the new world order.
The important point that needs to be noted here is that this type of light particle, which is a result of the collision between the electron and the positron or matter and antimatter, is made of gamma rays (g).
The word “uppercase Γ, lowercase γ” in Greek is the equivalent of the letter “G” in Masonic symbology which stands for the “Great Architect of the Universe” in English!!!
In other words, there is an exact and tight connection between the (g) rays, the famous letter G in Masonic logos and lodges, and the cryptic Masonic expression “Great Architect of the Universe” concerning the creator of the world. Of course, this does not mean that all the activities of Freemasons have been based on science and physics since centuries ago. With the passage of time, pagans, Satanists and Freemasons have abused various subjects by linking their infidel symbols to them.
“It has been proven that the god who created and could destroy everything and surrounds the universe is in fact energy” (A.G.E. P. 54)
“Freemasons have described the concept of the great architect of the universe based on contemporary science and superior perfection as follows: all creatures of the world that are consisted of definite particles and atoms, are parts of the total absolute energy. Considering the principle of Conservation of Mass-Energy, it is proven that nothing perishes due to interaction between materials and the changes caused by the movement of atoms, are superficial in nature. Freemasonry has accepted this principle and foundation as a doctrine, thesis, belief, and faith.” (Mason Publication, No. 82.5, 1971, P. 20)
Freemasons accept a form of energy as the creator that itself has the potential to turn into matter! In other words, Freemasonry’s belief in creation and existence of humans and jinns is heathenish and accompanied by the denial of incorporeal concepts, like God, and angels. This fact is attainable with decryption of Masonic scriptures.
Immediately in the next scene, we see neat rows of smartly dressed people being suddenly destroyed by the Antichrist’s yawn.
There is a point regarding the scene in which the Antichrist’s yawn destroys the well-organized rows of people and that is the concept of gradual awaking before becoming fully awake. This scene is in the sense that close to the Antichrist’s full awakening, the current world order will tremble and destroy.
Following the mentioned complicated sequences, in the next scene we see the Draco character which is the serpentine dragon and a representation of the devil, quickly escapes from Ludovic’s side and hides.
Ludovic then stands up, stares at the horizon, and starts moving with determined eyes. 1
